Top and Back, Head and Tail

I sandwiched pieces of walnut into a block and laid out the pattern for the peg head. I have always liked the graceful lines of my traditional peg head but needed to do a little modifying to accommodate the extra wide sides and the tuning machines.



Next, I re-sawed a 5″ walnut board by taking slices of it–first on the table saw, and then on the band saw. By doing this, I can create a thin, wide, book-matched  piece for the back. Book-matching creates some interesting mirror-imaged grain patterns.


This plank had a little stripe of the walnut heartwood, and so I made the aesthetic choice to send that stripe up the middle of the back of the instrument. After sanding the back, a really wild pattern emerged. Then, when I sanded down the quilted maple top, a really extraordinary 3-dimensional grain pattern presented itself. This small picture really doesn’t give it justice, but it looks like little mountain ranges–and this piece is sanded down really smoothly. When I put the polyurethane on this, it may just blow my mind.


Next up–the sound holes, as I inaugurate my new scroll saw.

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